Showing posts with label -Run-D.M.C.. Show all posts
Showing posts with label -Run-D.M.C.. Show all posts

Run-D.M.C. - Back From Hell (1990)

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01. Sucker D.J.'s
02. The Ave.
03. What's It All About
04. Bob Your Head
05. Faces
06. Kick The Frama Lama Lama
07. Pause
08. Word Is Born
09. Back From Hell
10. Don't Stop
11. Groove To The Sound
12. P Upon A Tree
13. Naughty
14. Livin' In The City
15. Not Just Another Groove
16. Party Time
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Lame 3.98.2 / 320 kbps [CBR]
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Run DMC - Tougher Than Leather (1988)

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01. Run's House
02. Mary, Mary
03. They Call Us Run-D.M.C.
04. Beats to The Rhyme
05. Radio Station
06. Papa Crazy
07. Tougher Than Leather
08. I'm Not Going Out Like That
09. How'd Ya Do It Dee
10. Miss Elaine
11. Soul To Rock And Roll
12. Ragtime
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Lame 3.98.2 / Avg. 256 kbps
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Run DMC - The First Album (1984) ***Remastered 1999***

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01. Hard Times
02. Rock Box
03. Jam-Master Jay
04. Hollis Crew (Krush-Groove 2)
05. Sucker M.C.'s (Krush-Groove 1)
06. It's Like That
07. Wake Up
08. 30 Days
09. Jay's Game
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Arista / Profile Records
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mp3 @ VBR / Lame 3.97 / Avg. 271 kbps / 76,8 mb
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Run DMC - King Of Rock (1985)

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01. Rock The House - Mixed By The Latin Rascals
02. King Of Rock
03. You Talk Too Much - Mixed By DJ Red Alert
04. Jam-Master Jammin'
05. Roots, Rap, Reggae
06. Can You Rock It Like This - Mixed By Rick Rubin
07. You're Blind - Mixed By - Chuck Chillout
08. It's Not Funny - Mixed By Jam Master Jay
09. Darryl And Joe (Krush-Groove 3) - Mixed By DJ Red Alert
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Take the title of Run-D.M.C.'s King of Rock somewhat literally. True, the trailblazing rap crew hardly abandoned hip-hop on their second album, but they did follow through on the blueprint of their debut, emphasizing the rock leanings that formed the subtext of Run-D.M.C. Nearly every cut surges forward on thundering drum machines and simple power chords, with the tempos picked up a notch and the production hitting like a punch to the stomach. If the debut suggested hard rock, this feels like hard rock, over-amplified, brutal, and intoxicating in its sheer sonic force. What really makes King of Rock work is that it sounds tougher and is smarter than almost all of the rock and metal records of its time. There is an urgency to the music unheard in the hard rock of the '80s, a sense of inevitability to the riffs and rhythms, balanced by the justified boasting of Run and D.M.C. Most of their rhymes are devoted to party jams or bragging, but nobody was sharper, funnier, or as clever as this duo, nor was there a DJ better than Jam Master Jay, who not just forms the backbone of their music, but also has two great showcases in "Jam-Master Jammin'" and "Darryl and Joe" (the latter one of two exceptions to the rock rules of the album, the other being the genre-pushing "Roots, Rap, Reggae," one of the first rap tracks to make explicit the links between hip-hop and reggae). Even if there a pronounced rock influence throughout King of Rock, what makes it so remarkable is that it never sounds like a concession in order to win a larger audience. No matter how many metallic guitar riffs are on the record, this music is as raw and street-level as the debut. It manages to be just as dynamic, exciting, and timeless as that album, as it expands the definition of what both Run-D.M.C. and rap could do.
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 79,8 mb
(( AVERAGE: 255 kbps ))
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Run DMC - Raising Hell (1986)

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01. Peter Piper
02. It's Tricky
03. My Adidas
04. Walk This Way
05. Is It Live?
06. Perfection
07. Hit It Run
08. Raising Hell
09. You Be Illin'
10. Dumb Girl
11. Son Of Byford
12. Proud to Be Black
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By their third album, Run-D.M.C. were primed for a breakthrough into the mainstream, but nobody was prepared for a blockbuster on the level of Raising Hell. Run-D.M.C. and King of Rock had established the crew's fusion of hip-hop and hard rock, but that sound didn't blossom until Raising Hell, partially due to the presence of Rick Rubin as producer. Rubin loved metal and rap in equal measures and he knew how to play to the strengths of both, while slipping in commercial concessions that seemed sly even when they borrowed from songs as familiar as "My Sharona" (heard on "It's Tricky"). Along with longtime Run-D.M.C. producer Russell Simmons, Rubin blew down the doors of what hip-hop could do with Raising Hell because it reached beyond rap-rock and found all sorts of sounds outside of it. Sonically, there is simply more going on in this album than any previous rap record - more hooks, more drum loops (courtesy of ace drum programmer Sam Sever), more scratching, more riffs, more of everything. Where other rap records, including Run-D.M.C.'s, were all about the rhythm, this is layered with sounds and ideas, giving the music a tangible flow. But the brilliance of this record is that even with this increased musical depth, it still rocks as hard as hell, and in a manner that brought in a new audience. Of course, the cover of Aerosmith's "Walk This Way," complete with that band's Steven Tyler and Joe Perry, helped matters considerably, since it gave an audience unfamiliar with rap an entry point, but if it were just a novelty record, a one-shot fusion of rap and rock, Raising Hell would never have sold three million copies. No, the music was fully realized and thoroughly invigorating, rocking harder and better than any of its rock or rap peers in 1986, and years later, that sense of excitement is still palpable on this towering success story for rap in general and Run-D.M.C. in specific.
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mp3 @ 320 kbps [CBR] / Lame 3.98 / Joint Stereo / 91,7 mb
((( Compressed Size .RAR = 68,3 mb)))
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