Showing posts sorted by relevance for query lame 3.. Sort by date Show all posts
Showing posts sorted by relevance for query lame 3.. Sort by date Show all posts

Jungle Brothers - Done By The Forces Of Nature (1989)

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01. Beyond This World (4:08)
02. Feelin' Alright (3:35)
03. Sunshine (3:44)
04. What "U" Waitin' 4? (4:02)
05. "U" Make Me Sweat (3:59)
06. Acknowledge Your Own History (3:38)
07. Belly Dancin' Dina (3:41)
08. Good Newz Comin' (4:37)
09. Done by the Forces of Nature (3:47)
10. Beeds on a String (3:32)
11. Tribe Vibes (3:53)
12. J. Beez Comin' Through (3:32)
13. Black Woman (3:54)
14. In Dayz "2" Come (3:54)
15. Doin' Our Own Dang (4:16)
16. Kool Accordin' "2" a Jungle Brother (1:55)
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The follow-up to their groundbreaking debut, Done By the Forces of Nature is the point where the Jungle Brothers' production catches up to their musical ambition. There's still a ruddy, lo-fi edge to the record, but the samples are more abundant and intricately woven, and there's an altogether fuller sound that gives the group a greater presence. Moreover, the group's non-musical ideas come into greater focus as well. The Native Tongues' Afrocentric philosophy gets a more extensive airing here than on the debut, filling the record with positive consciousness-raising, both cultural ("Acknowledge Your Own History," "Black Woman," "Beyond This World") and spiritual (the title cut, "In Dayz 2 Come"); there are even the occasional lyrical asides concerning good dietary habits. All of this makes Done by the Forces of Nature one of the most intellectual hip-hop albums released up to that point, but as before, the group tempered their cerebral bent with a healthy sense of humor and fun. Thanks to the improved production, the J.Beez are able to take it to the dancefloor better than ever before, and toss in some pure, good-time, booty-shaking grooves in the hits "What U Waitin' For" and "U Make Me Sweat." There's also "Belly Dancin' Dina," a narrative that echoes the playful come-ons of the debut, and proves that progressive thinking and respect for women don't necessarily have to cool the libido. Late in the album, the posse cut "Doin' Our Own Dang" offers the chance to hear most of the Native Tongues, Tribe, De La Soul, and Latifah, dropping rhymes all in one place. Through it all, the J.Beez construct an eclectic musical backdrop borrowed from jazz, early R&B, funk, African music, and more. Even if Straight out the Jungle was the historical landmark, Done by the Forces of Nature feels more realized in many respects, and is arguably the more satisfying listen.
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mp3 @ VBR / Lame 3.97 / Joint Stereo / 68.5 mb
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Gang Starr - Hard To Earn (1994)

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1 - Intro (The First Step) (0:54)
2 - Alongwaytogo (4:13)
3 - Code Of The Streets (3:29)
4 - Brainstorm (3:02)
5 - Tonz 'O' Gunz (3:55)
6 - The Planet (5:16)
7 - Aiiight Chill.. (3:13)
8 - Speak Ya Clout (3:35) Featuring - Jeru The Damaja , Lil' Dap
9 - DWYCK (4:03) Featuring - Nice & Smooth
10 - Words From The Nutcracker (1:29) Featuring - Melachi The Nutcracker
11 - Mass Appeal (3:41)
12 - Blowin' Up The Spot (3:10)
13 - Suckas Need Bodyguards (4:05)
14 - Now You're Mine (2:55)
15 - Mostly Tha Voice (3:38)
16 - F.A.L.A. (4:17) Featuring - Big Shug
17 - Comin' For Datazz (4:02)
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Gang Starr came out hard on their 1994 album, Hard to Earn, an album notably different from its two predecessors: Step in the Arena (1991) and Daily Operation (1992). While those two classic albums garnered tremendous praise for their thoughtful lyrics and jazzy beats, Hard to Earn seems much more reactionary, especially its lyrics. Guru opens the album with a tough, dismissive spoken-word intro: "Yo, all you kids want to get on and sh*t/Just remember this/This sh*t ain't easy/If you ain't got it, you ain't got it, motherf*cker." While this sense of superiority is undoubtedly a long-running convention of not just East Coast rap but rap in general, you don't expect to hear it coming from Gang Starr, particularly with such a bitter tone. Yet this attitude pervades throughout Hard to Earn. Songs such as "Suckas Need Bodyguards" and "Mass Appeal" take aim at unnamed peers, and other songs such as "ALONGWAYTOGO" similarly center on "whack crews." The best moments on Hard to Earn aren't these songs but instead "Code of the Streets" and "Tonz 'O' Gunz," two songs where Guru offers the type of social commentary that made Gang Starr so admirable in the first place. Yet, even though Hard to Earn is a bit short on such thoughtful moments, instead weighed down a bit with harsh attitude, it does offer some of DJ Premier's best productions ever. He's clearly at -- or, at least, near -- his best here. There isn't a song on the album that's a throwaway, and even the interludes are stunning. Given the subtly bitter tone of this album, it perhaps wasn't surprising then that Guru and Premier took some time to pursue solo opportunities after Hard to Earn. You can sense the duo's frustration with the rap scene circa 1994. The two didn't return with another Gang Starr album until four years later when they dropped Moment of Truth, a succinct comeback album that reaffirmed their status as one of New York's most thoughtful and artistic rap acts.
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[ [ mp3 @ VBR / Lame 3.98 (HQ)] ]
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DWYCK (Featuring - Nice & Smooth)
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De La Soul - 3 Feet High And Rising (1989)

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01 - Intro (2:17)
02 - The Magic Number (3:14)
03 - Change In Speak (2:33)
04 - Cool Breeze On The Rocks (0:46)
05 - Can U Keep A Secret (1:38)
06 - Jenifa Taught Me (Derwin's Revenge) (3:25)
07 - Ghetto Thang (3:35)
08 - Transmitting Live From Mars (1:06)
09 - Eye Know (4:06)
10 - Take It Off (1:53)
11 - A Little Bit Of Soap (0:47)
12 - Tread Water (3:54)
13 - Potholes In My Lawn (4:14)
14 - Say No Go (4:20)
15 - Do As De La Does (1:58)
16 - Plug Tunin' (Last Chance To Comprehend) (4:13)
17 - De La Orgee (1:11)
18 - Buddy (4:56) [Featuring] - Jungle Brothers , Q-Tip
19 - Description (1:24)
20 - Me Myself And I (3:41)
21 - This Is A Recording 4 Living In A Fulltime Era (L.I.F.E.) (3:16)
22 - I Can Do Anything (Delacratic) (0:40)
23 - D.A.I.S.Y. Age (3:58)
24 - Plug Tunin' (Original 12" Version) (3:41)
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[ mp3 @ VBR / Lame 3.98 ]
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Ultramagnetic MC's - Critical Beatdown (1988) [Remastered 2004]

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01. Watch Me Now (4:47)
02. Ease Back (3:24)
03. Ego Trippin' (Original 12'' Version) (5:26)
04. Moe Luv's Theme (2:14)
05. Kool Keith Housing Things (3:15)
06. Travelling At The Speed Of Thought (Remix) (1:51)
07. Feelin' It (3:31)
08. One Minute Less (1:58)
09. Ain't It Good To You (3:33)
10. Funky (Remix) (3:40)
11. Give The Drummer Some (3:43)
12. Break North (3:24)
13. Critical Beatdown (3:42)
14. When I Burn (2:32)
15. Ced-Gee (Delta Force One) (2:49)
16. Funky (Original 12'' Version) (4:47)
17. Bait (Original 12'' Version) (4:26)
18. A Chorus Line (Original 12'' Version) (Feat. Tim Dog) (6:04)
19. Travelling At The Speed Of Thought (Hip House Club Mix) (4:22)
20. Ego Trippin' (Bonus Beats) (1:11)
21. Mentally Mad (Original 12'' Version) (5:05)

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Besides being an undeniable hip-hop classic, the first album by the cult crew Ultramagnetic MC's introduced to the world the larger-than-life, one-of-a-kind personality of Kool Keith. That alone would make this some sort of landmark recording, but it also happens to be one of the finest rap albums from the mid- to late-'80s "new school" in hip-hop that numbered among its contributors Run-D.M.C., Public Enemy, and Boogie Down Productions. Critical Beatdown easily stands with the classic recordings made by those giants, and it is, in some ways, more intriguing because of how short-lived Ultramagnetic turned out to be. It would be wrong to assume that the finest thing about the album is its lyrical invention. Lyrically the group is inspired, to be sure, but the production is equally forward-looking. Critical Beatdown is full of the sort of gritty cuts that would define hip-hop's underground scene, with almost every song sounding like an instant classic. Although he turns in a brilliant performance, Kool Keith had not yet taken completely off into the stratosphere at this early point. He still has at least one foot planted on the street and gives the album a viscerally real feel and accessibility that his later work sometimes lacks. His viewpoint is still uniquely and oddly individual, though, and he already shows signs of the freakish conceptualizing persona that would eventually surface fully under the guise of Dr. Octagon. If Kool Keith gives the album its progressive mentality and adrenaline rush, Ced-Gee gives it its street-level heft and is, in many ways, the album's core. Somewhere in the nexus between the two stylistic extremes, brilliant music emanated. Critical Beatdown maintains all its sharpness and every ounce of its power, and it has not aged one second since 1988.
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mp3 @ VBR / Lame 3.98 / Avg. 267 kbps / 142 mb
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Grand Puba - Reel To Reel (1992)

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01. Check Tha Resume (3:51)
02. 360° (What Goes Around) (4:01)
03. That's How We Move It (3:19)
04. Check It Out (Feat. Mary J. Blige) (3:32)
05. Big Kids Don't Play (3:47)
06. Honey Don't Front (4:08)
07. Lickshot (4:35)
08. Ya Know How It Goes (4:19)
09. Reel To Reel (3:57)
10. Soul Controller (4:25)
11. Proper Education (3:35)
12. Back It Up (Feat. Kid Capri) (3:51)
13. Baby What's Your Name? (2:54)
14. 360° (What Goes Around) (SD 50 Remix) (4:00)
15. Who Makes The Loot? (3:23)
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In a sense, Grand Puba really never was a genuine member of Brand Nubian. He was several years older than Lord Jamar and Sadat X, and had already recorded with the old-school crew Masters of Ceremony several years before finally hooking up with his younger mates. And even the mostly collective-minded One for All featured a couple Puba solo joints. Based on the sophomore Brand Nubian outing, it is pretty clear that Grand Puba's carefree verbal play, completely unencumbered by ideology, tempered the more in-your-face manifestation of Jamar and Sadat X's radical politics since In God We Trust which, as thrillingly polemical as it could be, was also rather severe and uncompromising, even apocalyptic, in its outlook, and therefore off-putting at times. Likewise, based on this debut solo album, it's clear that Brand Nubian created precisely the right context in which Puba's self-reflexive braggadocio could flourish without wearing thin because Reel to Reel, as much fun as it is, has little in the way of substance. As a result, the record never becomes more than a pleasing divertissement. Minus any counterweights who can "drop the science," Puba, like some sort of hip-hop Dolemite, proved to be interested mostly in self-puffery, partying, and playing the ladies. While the persona is entertaining as far as it goes, it doesn't have a lot of mileage in it unless you have a high tolerance for tall tales about stunts and blunts. The artist himself had a good time satirizing this penchant at the beginning of the classic "Wake Up" from One for All, but seems to have lost sight of some of the possibilities for self-parody here. Having said that, the album really does have a lot to offer, including the irresistible one-two punch of "Check Tha Resume" and "360°," the deep-fried "Honey Don't Front," and the delightfully lazy "Who Makes the Loot?," whipped off with Brand New Heavies when they were at their funkiest. The production (most of it by the artist himself) is universally excellent, and Puba is, without a doubt, one of the cleverest, most cheekily complex MCs to ever pick up a microphone. Just bring your incredulity and sense of humor, the lower the brow the better, and Reel to Reel is a real hoot.
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 82,1 mb
(( AVERAGE: 199 kbps ))
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Fat Boys - Coming Back Hard Again (1988)

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01 - The Twist (4:05)
02 - Rock The House, Y'all (3:20)
03 - We Can Do This (4:10)
04 - Back And Forth (3:15)
05 - Jellyroll (3:20)
06 - Big Daddy (3:40)
07 - Coming Back Hard Again (3:20)
08 - Louie, Louie (4:05)
09 - Are You Ready For Freddy (4:05)
10 - All Day Lover (4:00)
11 - Powerlord (3:00)
12 - Pig Feet (3:30)
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The last Fat Boys LP to make any noise, this sixth Sutra release proved their second most successful album, peaking at 33 and earning them their last gold record. It piggybacked on the success of "Louie Louie," their last chart single. They did try to adjust to changing audience demands, cutting "Rock The House, Y'All" and "Powerlord," but The Fat Boys' strength remained novelty numbers and weight-based raps like "Big Daddy" and "Pig Feet," which had lost almost all their popularity.
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 80,4 mb
(( AVERAGE: 256 kbps ))
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( Click On The "CONTINUE" Button )
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Cypress Hill (1991)

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1. Pigs (2:50)
2. How I Could Just Kill A Man (4:08)
3. Hand On The Pump (4:03)
4. Hole In The Head (3:33)
5. Ultraviolet Dreams (0:41)
6. Light Another (3:17)
7. The Phuncky Feel One (3:28)
8. Break It Up (1:07)
9. Real Estate (3:45)
10. Stoned Is The Way Of The Walk (2:46)
11. Psycobetabuckdown (2:59)
12. Something For The Blunted (1:15)
13. Latin Lingo (3:58)
14. The Funky Cypress Hill Shit (4:01)
15. Tres Equis (1:54)
16. Born To Get Busy (3:00)
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[ mp3 @ VBR / Lame 3.98 ]
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Cypress Hill - Hand On The Pump

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The W.I.S.E. Guyz - eF yoU eN Kay E (1989)

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01. Intro (0:08)
02. Kick It Off (3:21)
03. Boom Bash (3:05)
04. Do The Egyptian (2:50)
05. If My Pillow Could Talk (3:33)
06. New York, New York (2:43)
07. The eF yoU eN Kay E (4:11)
08. Let's Rock The House (3:52)
09. Time For Peace (3:32)
10. Fools (0:02)
11. Watt U Got 2 Say (4:50)
12. This House Is Smokin' (3:18)
13. Wise Words
14. Big Ill (The Mack)
15. Cuz I'm A Pimp
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Atlantic had an interesting, yet unsuccessful, stable of hip hop acts in the late 80s and early 90s. The Wise Guyz are one such an act. This Long Island group consisted of Extra Caliber, Stretch, Tron (The Ladies Tenderroni) and Big Ill. Riding the politically conscious bandwagon, the Wise Guyz put out this album of socially aware lyrics. While the album had it's share of duds it does posses a few nice ones and this track sure as hell slams! I think the phrase "rap attack" is exemplified by this knockout jam with lines like "treat you like some old Pumas and play you OUT!" DJ battle lines, anyone? You could probably slip into any warehouse and find one or two copies of this album.
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mp3 @ 192 kbps [CBR] / Lame 3.97 / Joint Stereo / 60,3 mb
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Naughty By Nature - Naughty By Nature (1991)

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01. Yoke the Joker
02. Wickedest Man Alive (Feat. Queen Latifah)
03. O.P.P.
04. Everything's Gonna Be Alright
05. Let the Ho's Go
06. Everyday All Day
07. Guard Your Grill
08. Pin the Tail on the Donkey
09. 1, 2, 3 (Feat. Lakim Shabazz)
10. Strike a Nerve
11. Rhyme'll Shine On
12. Thankx for Sleepwalking
13. Uptown Anthem
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To qualify as a classic, a rap album must be solid from start to finish, containing no fillers,all thrillers. The musical production should match the lyrical skills of the MCs and the artist should posses his or her own style and flavor. Naughty By Nature's self-titled debut can rightfully be called timeless. When it dropped in 1991, the global hip-hop community took notice, and its stature stands years later. Featured here is the sing-along club classic "O.P.P." Queen Latifah spices up "Wickedest Man Alive" while Lakim Shabazz guests on the Luis "Louie Louie" Vega-produced "1,2,3." This collection of bouncy beats and powerful rhymes is a must-have for lovers of East Coast hip-hop.
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mp3 @ 256 kbps [CBR] / Lame 3,97 / 112 mb
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De La Soul - De La Soul Is Dead (1991)

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1. Intro
2. Oodles Of O's
3. Talkin' Bout Hey Love
4. Pease Porridge
5. Skit 1
6. Johnny's Dead Aka Vincent Mason (Live From The BK Lounge)
7. A Roller Skating Jam Named 'Saturdays'
8. WRMS' Dedication To The Bitty
9. Bitties In The BK Lounge
10. Skit 2
11. My Brother's A Basehead
12. Let, Let Me In
13. Afro Connections At A Hi 5 (In The Eyes Of The Hoodlum)
14. Rap De Rap Show
15. Millie Pulled A Pistol On Santa
16. Who Do U Worship?
17. Skit 3
18. Kicked Out The House
19. Pass The Plugs
20. Not Over Till The Fat Lady Plays The Demo
21. Ring Ring Ring (Ha Ha Hey)
22. WRMS: Cat's In Control
23. Skit 4
24. Shwingalokate
25. Fanatic Of The B Word
26. Keepin' The Faith
27. Skit 5
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On their notorious second album, De La Soul went to great lengths to debunk the daisy-age hippie image they'd been pigeonholed with, titling the record De La Soul Is Dead and putting a picture of wilting daisies in a broken flowerpot on the cover. Critics and fans alike were puzzled as to why the group was seemingly rejecting what had been hailed as the future of hip-hop, and neither the reviews nor the charts were kind to the album. It isn't that De La try to remake their sound here -- Dead keeps the skit-heavy structure of the debut, and the surreal tone and inventive sampling techniques are still very much in evidence. But, despite a few lighthearted moments ("Bitties in the BK Lounge," the disco-flavored "A Roller Skating Jam Named 'Saturdays'"), a distinct note of bitterness has crept into De La's once-sunny outlook. On the one hand, they're willing to take on more serious subject matter; two of the album's most powerful moments are the unsettling incest tale "Millie Pulled a Pistol on Santa" and Posdnuos' drug-addiction chronicle "My Brother's a Basehead," both true-life occurrences. Yet other tracks betray a brittle, insular state of mind; one running skit features a group of street thugs who ultimately throw the album in the trash for not having enough pimps, guns, or curse words. There are vicious parodies of hip-house and hardcore rap, and the single "Ring Ring Ring (Ha Ha Hey)" complains about being harassed into listening to lousy demo tapes. Plus, the negativity of the bizarre, half-sung "Johnny's Dead" and the hostile narrator on "Who Do U Worship?" seemingly comes out of nowhere. Dead is clearly the product of a group staggering under the weight of expectations, yet even if it's less cohesive and engaging, it's still often fascinating in spite of its flaws.
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[ [ mp3 @ VBR / Lame 3.?? ] ]
( High Average BitRate )
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Keepin' The Faith

Beastie Boys - Licensed To Ill (1986)

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01 - Rhymin & Stealin (4:08)
02 - The New Style (4:36)
03 - She's Crafty (3:35)
04 - Posse In Effect (2:27)
05 - Slow Ride (2:56)
06 - Girls (2:14)
07 - Fight For Your Right (3:28)
08 - No Sleep Till Brooklyn (4:07)
09 - Paul Revere (3:41)
10 - Hold It Now, Hit It (3:26)
11 - Brass Monkey (2:37)
12 - Slow And Low (3:38)
13 - Time To Get Ill (3:37)
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Licensed to Ill is the debut album by the Beastie Boys, released in 1986.
It was the first rap LP to top Billboard's Pop Albums chart. It also peaked at #2 on the Top Hip Hop/R&B Albums chart. It is Columbia Records' fastest selling debut record to date and sold over five million copies.Kerry King of Slayer made an appearance on the album playing lead guitar on "(You Gotta) Fight for Your Right (to Party)" and "No Sleep till Brooklyn", and appeared in the music video, which is a parody of heavy metal music. The name of the song itself is a spoof on Motörhead's No Sleep 'til Hammersmith album. King's appearance on the track came about because Rick Rubin was producing both bands simultaneously (Slayer's Reign in Blood was originally released on Def Jam).The full album cover, front to back, features a Boeing 727 — with "Beastie Boys" emblazoned on the tail — crashing head-on into the side of a mountain. The tail of the plane has the Def Jam logo and the legend '3MTA3' which spells 'EATME' when viewed in a mirror.The original title for this album was Don't Be a Faggot but Columbia Records flatly refused to release the album with this title and pressured Russell Simmons (their manager and label Def Jam head) into having the Beastie Boys to come up with another name. Adam Horovitz has since apologized for the band's earlier title.
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[ [ mp3 @ VBR / Lame 3.98 (HQ) ] ]
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Doug E. Fresh And The Get Fresh Crew - The World's Greatest Entertainer (1988)

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1 - Guess Who? (4:26)
2 - Ev'rybody Got 2 Get Some (3:45)
3 - D.E.F. = Doug E. Fresh (4:12)
4 - On The Strength (2:50)
5 - Keep Risin' To The Top (3:50)
6 - Greatest Entertainer (4:42)
7 - I'm Gettin' Ready (4:52)
8 - Cut That Zero (3:53)
9 - The Plane (So High) (4:04)
10 - Ev'rybody Loves A Star (4:00)
11 - Crazy 'Bout Cars (4:30)
12 - Africa (Goin' Back Home) (3:33)
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[ [ mp3 @ VBR / Lame 3.98 (HQ)] ]
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Ultimate Force - I'm Not Playin' (2007) [2-CD] (Originally 1990) **Diamond D** **Request**

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VBR / Lame 3,97
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-->>LINK<--
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In the annals of "from the vaults" Hip Hop legend, time will show that a 17-year delay in the release of the Ultimate Force's ridiculously dope debut, "I m Not Playin", is an injustice of mammoth musical proportions. That sounds like a bunch of hype. It's not. Take one listen to "Another Hit", "Girls", "Revolution of the Mind", the stellar posse cut "Oh Shit" (featuring a teenaged Fat Joe, also heard here on "C'mon") and one of the best DJ tracks of all time, "Supreme Diamond D", and tell me that these wouldn't have blown up if they had hit, as originally planned, in 1990. We all know that the Ultimate Force's DJ and producer Diamond [then known as Diamond D] is one hell of a tracktitioner. His work on Lord Finesse's 1990 classic "Funky Technician" proved it, his 1992 debut "Stunts, Blunts & Hip-Hop" cemented it early on, and his track record ever since (ever heard of the Fugees? Busta Rhymes? DITC, anyone?) has shut down any doubters. Case closed. But one listen to this record will show you where his skills really started to shine. And not just as a producer, and definitely not as an MC (he didn't rhyme in the Ultimate Force). His DJ skills here, along with his now-legendary production muscle, are worth the price of admission alone. Imagine if the world had heard "Supreme Diamond D" wherein the man born Joseph Kirkland runs through the entire alphabet, cutting phrases from A to Z in 1990. Brian Coleman (author of "Rakim Told Me", and the upcoming "Check The Technique: Liner Notes for Hip-Hop Junkies") 'Special Edition Extended Play Double Disc' includes all album tracks as well as full instrumentals and a capellas for each song, thirty six total cuts, housed in a deluxe six-panel digipak with additional liner note booklet written by Brian Coleman, with input from Master Rob and Diamond D themselves.
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J.V.C. F.O.R.C.E. - Doin' Damage (1988) [REMASTERED, 2005]

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01. You'll Like It Too (2:59)
02. Stylin' Lyrics (5:16)
03. Puppy Love (4:14)
04. The Force Is Buggin (5:49)
05. The Move (6:08)
06. Strong Island (6:10)
07. Doin' Damage (3:36)
08. Take It Away (5:05)
09. The Force Is The Boss (4:54)
10. Nu Skool (3:52)
11. We Got Our Own Thing (4:09)
12. Force Field (4:50)
13. Tear The Show (3:48)
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Tracks 11-12-13, are Bonus Tracks from the Re-Issued Edition (2005)
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Long Island's JVC Force, a rap group whose name stands for "Justified by Virtue of Creativity for All Reasons Concerning Entertainment" (that would actually make them "J.V.C. Farce," but whatever) was a trio consisting of DJ Curt Cazal and MCs AJ Rok and MC B-Luv. The days of dropping science are back in full swing and who better to deliver than the almighty J.V.C. Force and their classic LP “Doin’ Damage”. Released in early 1988 on the legendary B-Boy records Label, “Doin‘ Damage” became an instant favorite throughout the Hip Hop community. Tracks such as “You’ll Like It Too”, “Doin’ Damage”, and of course their monster hit “Strong Island” gave J.V.C. an everlasting foot hold in Hip Hop history. Re-released on LP and CD with audio remastered from the original master reels and original cover art, the J.V.C. Force sounds better than they did seventeen years ago…
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 115 mb
(( Average: 258 kbps ))
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(Click On The "CONTINUE" Button)
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The 7A3 - Coolin' In Cali (1988) ***DJ Muggs From Cypress Hill***

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01. Coolin' In Cali
02. That's How We're Livin'
03. Everybody Get Loose
04. A Man's Gotta Do What A Man's Gotta Do
05. Freestyle '88
06. Express The Mind
07. Hit 'Em Again (Produced By Daddy-O)
08. Drums Of Steel
09. Goes Like Dis
10. 1/2 Bouldin, The Other 1/2 Ince (Produced By Daddy-O)
11. Groovin'
12. Lucifer
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7A3 was a hip hop group from California that released one album in 1988 called Coolin' in Cali. The group was composed of two brothers, Brett and Sean Bouldin, and DJ Muggs, who later achieved greater fame with Cypress Hill. The group's sole album and two of its singles performed moderately well on the U.S. charts. A song of theirs, "Mad, Mad World", was released on the Colors soundtrack.
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mp3 @ 192 kbps [CBR] / Lame-3,9? / 68 mb
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Danja Mowf - Word Of Mowf (1997)

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01. Death of an A&R (Intro)
02. Phone Tag
03. Make It Hot
04. Like Flies
05. Vowel Movement
06. Ladies
07. Simple Clarence (Skit)
08. Espionage
09. Granddaddy's Lynchin' Story (Interlude)
10. Strange Fruit
11. Dangerous
12. Mowf of Madness (Feat. Mad Skillz)
13. Jack-N-Da Weedstalk
14. Question
15. Watchin' You
16. Unseen World, Pt. 2
17. Life Flies (Remix)
18. Grand Daddy's Advice (Outro)
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mp3 @ VBR / Lame 3,97 / Avg. 239 kbps / 126 mb
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SAMPLE:

Mowf Of MADness (Feat. Mad Skillz)

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Sage Francis - Personal Journals (2002)

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1. Crack Pipes
2. Different
3. Personal Journalist
4. Inherited Scars
5. Climb Trees
6. Broken Wings
7. The Strange Famous Mullet Remover
8. Smoke & Mirrors
9. Message Sent
10. Eviction Notice
11. Pitchers Of Silence
12. Specialist
13. Hopeless
14. Kill ya' Momz
15. Black Sweatshirt
16. Cup of Tea
17. My Name Is Strange
18. Runaways
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Sage Francis is something of an enigma wrapped inside a mystery wrapped inside a slam poet wrapped inside a rap MC. In other words, it's difficult to say in which way, exactly, Personal Journals should be classified, but considering how qualitative are its returns, it hardly matters. Already a battle champion (he won both the 1999 Superbowl Battle and 2000 Scribble Jam competitions) and a nationally ranked slam-poetry contestant, the self-defined "self-referentialist" Francis finally dropped this debut full-length with the support of his spiritual compadres and fellow rap revolutionaries in Anticon, and like the music from that collective, Personal Journals vigorously pushes back battlements and erases musical dividing lines. At any moment, you may find yourself unexpectedly confronted by gritty street hip-hop ("Climb Trees," "Pitchers of Silence"), gonzo reportage ("Personal Journalist"), what probably comes closest to spoken-word ("Inherited Scars," the live reading "Hopeless," "Runaways"), emotionally intense autobiography ("Different"), even cockeyed rock music ("My Name Is Strange," with six-piece backing band AOI), and then a more free-form and indefinable performance art (the superb "Broken Wings," halfway between rap and a touching sort of metaphysics, or the gothic, multiple-personality "Eviction Notice"), for lack of a better term. The soundscapes that his team of producers came up with are every bit as unorthodox and superlative. That the album could appeal to rap heads and arty, alternative types alike is a testament to the high caliber of Francis' personal journalism.
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Label: ANTICON
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 83,8 mb
(( Average Bitrate: 199 kbps ))
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Choose From 3 Differents Servers
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Public Enemy - Apocalypse 91...The Enemy Strikes Black (1991)

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01. Lost at Birth
02. Rebirth
03. Nighttrain
04. Can't Truss It
05. I Don't Wanna Be Called Yo Niga
06. How to Kill a Radio Consultant
07. By the Time I Get to Arizona
08. Move!
09. 1 Million Bottlebags
10. More News at 11
11. Shut 'Em Down
12. Letter to the New York Post
13. Get the Fuck Outta Dodge
14. Bring tha Noise (w/ Anthrax)
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Coming down after the twin high-water marks of It Takes a Nation of Millions and Fear of a Black Planet, Public Enemy shifted strategy a bit for their fourth album, Apocalypse 91...The Enemy Strikes Black. By and large, they abandon the rich, dense musicality of Planet, shifting toward a sleek, relentless, aggressive attack, Yo! Bum Rush the Show by way of the lessons learned from Millions. This is surely a partial reaction to their status as the Great Black Hope of rock & roll; they had been embraced by a white audience almost in greater numbers than black, leading toward rap-rock crossovers epitomized by this album's leaden, pointless remake of "Bring the Noise" as a duet with thrash metallurgists Anthrax. It also signals the biggest change here, the transition of the Bomb Squad to executive-producer status, leaving a great majority of the production to their disciples, the Imperial Grand Ministers of Funk. This isn't a great change, since the Public Enemy sound has firmly been established, giving the new producers a template to work with, but it is a notable change, one that results in a record with a similar sound but a different feel: a harder, angrier, determined sound, one that takes its cues from the furious anger surging through Chuck D's sociopolitical screeds. And this is surely PE's most political effort, surpassing Millions through the use of focused, targeted anger, a tactic evident on Planet. Yet it was buried there, due to the seductiveness of the music. Here, everything is on the surface, with the bluntness of the music hammering home the message. Arriving after two records where the words and music were equally labyrinthine, folding back on each other in dizzying, intoxicating ways, it is a bit of a letdown to have Apocalypse be so direct, but there is no denying that the end result is still thrilling and satisfying, and remains one of the great records of the golden age of hip-hop.
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mp3 @ VBR / Lame 3,98 / Avg. 256 kbps / 94,6 mb
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