Showing posts with label 1992. Show all posts
Showing posts with label 1992. Show all posts

Geto Boys Best - Uncut Dope (1992)

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01. Do It Like It G.O.
02. Assassins
03. Mind Of A Lunatic
04. My Mind Playin' Tricks On Me
05. Size Ain't Shit
06. The Unseen
07. And My Word
08. Scarface (Original Version)
09. Action Speaks Louder Than Words
10. Damn It Feels Good To Be A Gangsta
11. Chuckie
12. Gotta Let Them Hang
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VBR / Lame 3.98.2 / Avg. 226 kbps
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Sample: Track #12

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Doug E. Fresh & The New Get Fresh Crew - Doin' What I Gotta Do (1992) **Request**

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01. D.O.A (Introduction)
02. Bustin' Out (On Funk)
03. The Get Fresh Crew
04. Back In The Dayz
05. If I Was Your Man
06. Come In From The Rain
07. I Need My Woman Tonight
08. Check It Out
09. The History (Interlude)
10. Imagine Me Just Pumpin' It Up
11. You Make Me Wanna Shout
12. The Money Grip
13. There's Nothing Better
14. I Love Myself
15. No
16. Vida Mia
17. Peace To New York
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The first human beatbox in the rap world, and still the best of all time, Doug E. Fresh amazed audiences with his note-perfect imitations of drum machines, effects, and often large samples of hip-hop classics. Fresh was born Doug E. Davis in Barbados, and his first appearance came in 1983 on a single for Spotlight called "Pass the Budda," with Spoonie Gee and DJ Spivey. His introduction to most hip-hop fans, though, came one year later with his astonishing performance in Beat Street behind the Treacherous Three. His first solo features also came in 1984, with "Just Having Fun," waxed for Enjoy, and "Original Human Beatbox" for Vinentertainment. By 1985, Fresh was one of the biggest names in rap music, and his first single for Reality, "The Show/La Di Da Di," became a hip-hop classic. It was recorded with his Get Fresh Crew, including MC Ricky D (only later to gain fame as Slick Rick), along with Barry Bee and Chill Will. His first LP, 1987's Oh, My God!, featured most of his showpieces, like "Play This Only at Night" and "All the Way to Heaven," along with nods to reggae and even gospel. His second album, 1988's The World's Greatest Entertainer, broke into the Billboard charts thanks to another hot single, "Keep Risin' to the Top," but Slick Rick had already broken from the pack and his LP of the same year, The Great Adventures of Slick Rick, did much better than Doug E. Fresh. Fresh took a break and wasn't able to regain momentum with 1992's Doin' What I Gotta Do, released through MC Hammer's Bust It label. He did reunite on a Slick Rick LP, and recorded again in 1995 for Gee Street.
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VBR / Lame 3.98.2 / Avg. 248 kbps
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Organized Rhyme - Huh? Stiffenin Against The Wall (1992) **Tom Green**

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01. Prelude 1
02. Head For The Border
03. Bring The Horns
04. Luv 2
05. Prelude 2
06. Warm And Easy
07. Check The O.R.
08. Armadillo Song
09. Cookies And Crackers
10. The Rain Song
11. Papercuts
12. Prelude 3
13. The Idiots
14. The Cutting Song
15. Prelude 4
16. Dabbling On The Mic
17. Mind Your Business
18. Prelude 5
19. Happy Song
20. Luve 1
21. Prelude 6
22. Check The O.R. (Bikini Drifter Remix)
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Organized Rhyme was a short-lived Canadian hip hop group based in Ottawa, renowned primarily for the fame later achieved by one of its members, comedian Tom Green.Organized Rhyme's musical formula focused on three principal facets: catchy beats, simplistic choruses, and clever rhymes. The formula proved itself to be profitable: the group's first single, "Check the O.R.," was nominated for a Juno Award in 1993 for Best Rap Recording, but lost to "Keep It Slammin'" by Devon.The group promptly disbanded. Its record label has been blamed for its death due to its wanting them to drop the comedic element of their music. However, the members' inability to uphold positive relations among themselves has been another supposed reason for the breakup of the hip-hop group.A dance remix of "Check the O.R." was released in 2000. The original music video for "Check the O.R." was included with Green's 2005 rap album, Prepare for Impact.
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VBR / Lame 3.97 / Avg. 227 kbps
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Redman - Whut? Thee Album (1992)

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01. Psycho Ward
02. Time 4 Sum Aksion
03. Funk
04. News Break
05. So Ruff
06. Rated "R"
07. Watch Yo Nuggets
08. Psycho Dub
09. Jam 4 U
10. Blow Your Mind
11. Hardcore
12. Funky Uncles
13. Redman Meets Reggie Noble
14. Tonight's da Night
15. Blow Your Mind (Remix)
16. I'm a Bad
17. Sessed One Night
18. How to Roll a Blunt
19. Sooper Luver Interview
20. Day of Sooperman Lover
21. Encore
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Whut? Thee Album is a terrific debut that established Redman as one of the top MCs on the East Coast. His aggressive delivery is more than hardcore enough for the streets, but Whut? is first and foremost a party record. Redman's subject matter centers around his love of funk and his equal love of pot, with some sex and violence thrown in for good measure. He's able to carry it all off with a singular sense of style, thanks to a wild sense of humor that results in some outlandish boasts, surreal threats, and hilarious left-field jokes. In "Blow Your Mind," for example, he announces, "watch me freak it in Korean!," stumbles through part of a verse, and mutters "ah, forget it"; another great moment is "Redman Meets Reggie Noble," a brief duet between himself and his own alter ego in the great Slick Rick tradition. Other offbeat highlights include the genuinely useful instructional track "How to Roll a Blunt" and the hilarious sexcapade story song "A Day With Sooperman Lover." Credit for the album's infectious vibe also has to go to producer Erick Sermon, who fills Whut? with deep, loose-limbed beats cribbed from P-Funk and Zapp. Slamming party jams like "Time 4 Sum Aksion," "Rated R," and "Watch Yo Nuggets" are the real meat and potatoes of the record, and Redman's driving, forceful rhyme style makes them all the more invigorating. Still the strongest, most consistent outing in his catalog, Whut? Thee Album clearly heralds the arrival of a major talent.
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Executive Producer: Erick Sermon
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VBR / Lame 3.98.2 / Avg. 229 kbps / 85 mb
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Time 4 Sum Aksion

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Positive K - THe sKiLLs dAT Pay Da biLLS (1992)

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01. Intro (Pos K Theme)
02. Pass The Mic
03. One 2 The Head
04. Shakin'
05. How the F*?#! Would You Know
06. Carhoppers
07. Nightshift
08. Intro (Back the F*?#! Up)
09. I Got a Man
10. Ain't No Crime
11. The Shout Out
12. Friends
13. Minnie The Moocher (Feat. Grand Daddy I.U.)
14. A Nightshift (Remix)
15. Flower Grows In Brooklyn
16. It's All Over
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Positive K is an American emcee from the Bronx, New York. He started his career in 1988.He scored a major hip-hop hit with 1992's "I Got a Man." The song peaked at #14 on the Billboard Hot 100,in early 1993. Leading up to that, he made appearances in underground compilations including one called "I'm Not Havin' It," a duet with MC Lyte, that raised his profile. A guest spot on Brand Nubian’s One for All and another on Grand Puba's Reel to Reel, along with a self-released, Big Daddy Kane-produced single ("Nightshift") set the stage for The Skills Dat Pay Da Bills. His full-length debut, released on Island Records. The album balanced themes of Nation of Gods and Earths with gangsta-isms and more pop-based moments. Meanwhile, he kept his Creative Control label in operation, signing and cultivating new talent. He was featured on WYBE's Old School Show, where he was awarded the #3 slot on the list of early hip-hop pioneers.In 1993, Positive K appeared with Beavis and Butthead on The Beavis and Butthead Experience in a remix of "Come to Butthead." The song is hidden at the end of the album on the same CD track as "I Got You Babe," which Beavis & Butthead performed with Cher.Also in 1993, Positive K briefly appeared in Chazz Palminteri's "A Bronx Tale" as one of the angry protesters.In 2006, Positive K appeared on Nas's "Where Are They Now" 90's remix. Positive K also used to date Taj of SWV.
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224 kbps / Joint Stereo / 101 mb
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Carhoppers
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The A.T.E.E.M. - A Hero Ain't Nuttin' But A Sandwich (1992)

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01. A Hero Ain't Nuttin' But A Sandwich
02. Pass The Pussy
03. Yeah
04. Interlude (1)
05. Get It On (Original)
06. Come On Baby Let's Swing It
07. Come
08. Sister Morphine
09. Well Of 1000 Souls
10. One, Two, U Don't Stop
11. All Of That
12. Interlude (2)
13. Let Me Hear You Say Hoe!
14. Get It On (Remix)
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Label: Select Street Records
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mp3 @ VBR / Lame 3.98.2 / Avg. 241 kbps / 77 mb
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Get It On (Remix)
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Art of Origin (1992) [CD, Maxi-Single] **Chino XL & Kaoz**

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01. No Slow Rollin'
02. No Slow Rollin' (Radio Version)
03. Mad at the World
04. Into the Pit
05. Into the Pit (Radio Version)
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NYC Hip Hop group formed in 1991 with Kaoz (Kerri Chandler) on the beats & rhymes and Chino XL on main lyrical duty. The group disbanded around early 1994 (due to creative differences) with Chino XL staying on Rick Rubin's label to work on his solo debut, while Kaoz ventured back to his House music roots. **Check The VIDEO Below**
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mp3 @ VBR / Lame 3.98.2 / Avg. 231 kbps / 32,4 mb
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Into the Pit (Radio Version)

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Ho Frat Ho! - Education (1992) [CD, Single, Promo] **West Coast**

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01 - Education (Radio Edit)
02 - Education (LP Version)
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Label: Bust It Records
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mp3 @ 320 kbps / Joint Stereo / 18,5 mb
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Public Enemy - Greatest Misses (1992)

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01. Tie Goes To The Runner
02. Hit Da Road Jack
03. Gett Off My Back
04. Gotta Do What I Gotta Do
05. Air Hoodlum
06. Hazy Shade Of Criminal
07. Megablast (The Madd Skillz Bass Pipe Gett Off Remixx)
08. Louder Than A Bomb (JMJ Telephone Tap Groove)
09. You're Gonna Get Yours (Reanimated TX Getaway Version)
10. How To Kill A Radio Consultant (The DJ Chuck Chillout Mega Murder Boom)
11. Who Stole the Soul? (Sir Jinx Stolen Souled Out Reparation Mixx)
12. Party For Your Right To Fight (Blak Wax Metromixx)
13. Shut Em Down (Live In The UK)


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mp3 @ VBR / Lame 3.98.2 / Avg. 186 kbps / 74,7 mb
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VIDEO: Louder Than A Bomb (JMJ Telephone Tap Groove)
(Click Here)
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Beastie Boys - Jimmy James (1992) [CD, Maxi-Single]

Click To Enlarge
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01. Jimmy James (Single Version)
02. The Maestro
03. Jimmy James (LP Version)
04. Boomin' Granny
05. Jimmy James (Original Original Version)
06. Drinkin' Wine
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mp3 @ VBR / Lame 3.98 / Avg: 237 kbps / 34 mb
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SAMPLE:

Jimmy James

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Original Flavor - This Is How It Is (1992)

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01. This Is How It Is
02. When I Make It
03. Best Friend's Girl
04. Way Wit Words
05. Kick the Butta
06. Waitin' 4 My Break
07. Handle the Technique
08. Give 'Em Some Wrek
09. Gumdrops
10. I Like It (Freestyle)
11. Brain Storm
12. Swingin'
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One of rap's middle school crews headed by Ski, an MC/producer, Original Flavor dropped their inauspicious debut This Is How It Is in 1992. Although Ski worked with legendary New York DJ Clark Kent for the project, the album fizzled unceremoniously. For their follow-up, producer-in-training Ski enlisted the aid of a few more MCs including T-Strong, Chubby Chub, and a young Brooklynite with some experience in the rap field, Jay-Z. Jay-Z had worked with fellow Brooklynite Big Jaz on the track "Hawaiian Sophie" and the two were commonly referred to as Jaz and Jay-Z. Original Flavor was Jay-Z's training grounds and served as a catapult for his future endeavors. Flavor's sophomore release Beyond Flavor was released in 1993 to a mostly unenthusiastic audience. However, the lead single "Can I Get Open" features Jay-Z in impeccable pre-Jayhova form, with a decidedly less edgy rhyme format. Jay-Z's skills far surpassed those of the rest of the crew and his solo career would begin soon after the release of Beyond. Jay Peso went on to guest MC on the classic Big Daddy Kane posse cut "Show & Prove" (among others), then released a number of singles on his own including "In My Lifetime." It was at this time that Jay-Z turned to Jigga and adopted the Tony Montana-styled persona. Jay-Z would continue to work with his Original Flavor partner Ski after the group disbanded, making him a member of his Rock-a-Fella staff. Ski produced four tracks on Jay's solo debut Reasonable Doubt in 1996 and two on 1997's In My Lifetime, Volume One.
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mp3 @ 192 kbps / Joint Stereo / 62,5 mb
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SAMPLE:

Brain Storm

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The Goats - Tricks Of The Shade (1992)

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01. We Got Freaks
02. Typical American
03. Hangerhead Is Born
04. Whatcha Got Is Whatcha Gettin'
05. Columbus' Boat Ride
06. Ru Down Wit Da Goats
07. Cumin' Is Ya Ear
08. Noriega's Coke Stand
09. Got Kinda Hi
10. Unodostresquattro
11. George Bush Kids
12. Wrong Pot 2 Piss In
13. Hip-Hopola
14. Leonard Peltier In A Cage
15. ?Do The Digs Dug?
16. Carnival Cops
17. TV Cops
18. Tattooed Lady
19. Tricks Of The Shade
20. Not Not Bad
21. Rovie Wade, The Sword Swallower
22. Aaah D Yaaa
23. Drive-By Bumper Cars
24. Burn The Flag
25. Uncle Scam's Shotting Gallery
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One of the more overlooked groups in the early '90s alternative rap movement, the Goats were an interracial Philadelphia trio who featured a live backing band before fellow hometowners the Roots shot to acclaim with a similar format. The Goats sounded a bit different, though, mixing intelligent, Public Enemy influenced political raps with good-humored Native Tongues positivity, plus a bit of aggressive, hard-partying funk-rock. Oatie Kato (born Maxx Stoyanoff-Williams), Madd, and Swayzack first got together in 1991, and became the first signing for the Philly-based hip-hop label Ruffhouse (which would soon land a distribution deal with Sony). The group released its debut album, 1992's Tricks of the Shade, to strongly positive reviews, and shortly thereafter put together an in-concert backing band which took their sound in a rap-rock direction. However, Oatie soon left the group, dissatisfied with the behind-the-scenes excess; he went on to form Incognegro, and took much of the Goats' political perceptiveness with him. The remaining duo debuted the live band on the Goats' second album, 1994's No Goats No Glory, which was viewed by many critics as a disappointing follow-up. By 1996, the group had disbanded, but Incognegro would release their debut album by the end of the decade, with Oatie performing under the name MC Uh-Oh.
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mp3 @ VBR / Lame 3.97 / Joint Stereo / 100 mb
(( Average: 197 kbps ))
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Typical American
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Pete Rock & C.L. Smooth - Mecca And The Soul Brother (1992)

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01. Return Of The Mecca
02. For Pete's Sake
03. Ghettos Of The Mind
04. Lots Of Lovin
05. Act Like You Know
06. Straighten It Out
07. Soul Brother #1
08. Wig Out
09. Anger In The Nation
10. They Reminisce Over You (T.R.O.Y.)
11. On And On
12. It's Like That
13. Can't Front On Me
14. The Basement
15. If It Ain't Rough, It Ain't Right
16. Skinz (Feat. Grand Puba)
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It would have been hard to match the artistic success of their debut EP on a full-length recording, but Pete Rock & C.L. Smooth did just that on Mecca and the Soul Brother, and they did so in the most unlikely way of all after the succinctness of All Souled Out, by coming up with a sprawling, nearly 80-minute-long album on which not a single song or interlude is a throwaway or a superfluous piece. Granted, 80 minutes is a long stretch of time for sustained listening, but the music is completely worthy of that time, allowing the duo to stretch out in ways that their EP rendered impossible. Again, the primary star is Pete Rock's production acumen, and he ups the ante of rock-solid drums, steady cymbal beats, smooth-rolling bass, and fatback organ, not to mention his signature horn loops. C.L. Smooth is the perfect vocal match for the music. He is maybe one of the few MCs capable of rapping a fairly credible love song, as he does on "Lots of Lovin'." "They Reminisce Over You (T.R.O.Y.)," a tribute to friend and Heavy D. dancer Trouble T-Roy, who was accidentally killed, packs a poignant emotional weight, but it is Smooth's more direct and conscientious, and frequently autobiographical, side which ultimately carries the album lyrically. The songs are connected and the album is propelled forward by Rock's quick, soul-tight interludes; these are usually bits of old R&B and soul tunes but sometimes they're spoken pieces or spontaneous, freestyle sessions. These interludes provide a sort of dense spiritual tone and resonance in the album that is not religiously based at all, but fully hip-hop based, emerging from the urban altars that are the basements and rooftops of the city.This is without any doubt.. A 5 stars Album.. Classic !!
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 127 mb
(( AVERAGE: 229 kbps ))
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Click On The Continue Button
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They Reminisce Over You (T.R.O.Y.)

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Gang Starr - Ex Girl To Next Girl (1992) [CD, Single]

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01. Ex Girl To Next Girl (Album Version)
02. Ex Girl To Next Girl (Radio Edit)
03. Ex Girl To Next Girl (Remix)
04. Ex Girl To Next Girl (Instrumental)
05. Ex Girl To Next Girl (Instrumental Remix)
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 32,4 mb
(( AVERAGE: 189 kbps ))
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Grand Puba - Reel To Reel (1992)

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01. Check Tha Resume (3:51)
02. 360° (What Goes Around) (4:01)
03. That's How We Move It (3:19)
04. Check It Out (Feat. Mary J. Blige) (3:32)
05. Big Kids Don't Play (3:47)
06. Honey Don't Front (4:08)
07. Lickshot (4:35)
08. Ya Know How It Goes (4:19)
09. Reel To Reel (3:57)
10. Soul Controller (4:25)
11. Proper Education (3:35)
12. Back It Up (Feat. Kid Capri) (3:51)
13. Baby What's Your Name? (2:54)
14. 360° (What Goes Around) (SD 50 Remix) (4:00)
15. Who Makes The Loot? (3:23)
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In a sense, Grand Puba really never was a genuine member of Brand Nubian. He was several years older than Lord Jamar and Sadat X, and had already recorded with the old-school crew Masters of Ceremony several years before finally hooking up with his younger mates. And even the mostly collective-minded One for All featured a couple Puba solo joints. Based on the sophomore Brand Nubian outing, it is pretty clear that Grand Puba's carefree verbal play, completely unencumbered by ideology, tempered the more in-your-face manifestation of Jamar and Sadat X's radical politics since In God We Trust which, as thrillingly polemical as it could be, was also rather severe and uncompromising, even apocalyptic, in its outlook, and therefore off-putting at times. Likewise, based on this debut solo album, it's clear that Brand Nubian created precisely the right context in which Puba's self-reflexive braggadocio could flourish without wearing thin because Reel to Reel, as much fun as it is, has little in the way of substance. As a result, the record never becomes more than a pleasing divertissement. Minus any counterweights who can "drop the science," Puba, like some sort of hip-hop Dolemite, proved to be interested mostly in self-puffery, partying, and playing the ladies. While the persona is entertaining as far as it goes, it doesn't have a lot of mileage in it unless you have a high tolerance for tall tales about stunts and blunts. The artist himself had a good time satirizing this penchant at the beginning of the classic "Wake Up" from One for All, but seems to have lost sight of some of the possibilities for self-parody here. Having said that, the album really does have a lot to offer, including the irresistible one-two punch of "Check Tha Resume" and "360°," the deep-fried "Honey Don't Front," and the delightfully lazy "Who Makes the Loot?," whipped off with Brand New Heavies when they were at their funkiest. The production (most of it by the artist himself) is universally excellent, and Puba is, without a doubt, one of the cleverest, most cheekily complex MCs to ever pick up a microphone. Just bring your incredulity and sense of humor, the lower the brow the better, and Reel to Reel is a real hoot.
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 82,1 mb
(( AVERAGE: 199 kbps ))
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EPMD - Business Never Personal (1992)

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1. Boon Dox
2. Nobody's Safe Chump
3. Can't Hear Nothing But the Music
4. Chill
5. Head Banger (Feat. Redman & K-Solo)
6. Scratch Bring It Back (Part 2-Mic Doc)
7. Crossover
8. Cummin' At Cha
9. Play the Next Man
10. It's Going Down
11. Who Killed Jane
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Having recorded two undeniable hip-hop classics right out the box, EPMD met with a modicum of disapproval for the first time ever upon the release of its third album, which was graded down by some fans and critics because it seemed to be, yes, more business as usual rather than any sort of musical maturation or progression. Unbowed, Erick Sermon and Parrish Smith returned with what, at the time, was rumored even before it hit shelves to be their final album together. Indeed, the duo broke up not long after Business Never Personal came out. It was a perfect way to go out together. The album proved to be both a commercial and artistic triumph at the time, and with each passing year, it sounds more and more like their finest, if not their most historically important recording. Unapologetically underground throughout its career up to this point, the duo was savvy enough to throw a bone to an ever-growing rap-listening public in a supposed bid for "Crossover" appeal even as it was taking its concluding bow, thereby negating any cries of "sellout" that otherwise might have been tossed at the group's reputation for independence from any commercial concerns. Frankly, though, it would have been a difficult claim to make stick against EPMD anyway. Despite its appealing Zapp sample and hook, "Crossover" is every bit as coated in street soot as the rest of its music. Nevertheless, it is undoubtedly the catchiest thing the pair had ever created. The rest of the album is harder hitting but in every respect as captivating, running from the abrasively metallic "Boon Dox" to the crowd-moving Hit Squad posse cut "Head Banger," and returning the group more often than not to the scowling (though often tongue-in-cheek) intensity and minimalistic aesthetic of its first two records.And if Erick and Parrish hadn't yet made the impending end of their partnership explicit enough, they do so on the final track, where they finally, figuratively kill off Jane, the transvestite prostitute who had hawked them through each of their albums.
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Label: Def Jam Recordings (Click)
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mp3 @ VBR / Lame 3.98 / Joint Stereo / 55,1 mb
(( Average Bitrate: 196 kbps ))
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Head Banger (Feat. Redman & K-Solo)

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